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The Fine Arts constitute a crucial aspect of cultural expression which sustains the vessel of human and humane understanding, interaction, and communication. This website shares a specific personal vision of the role of the fine arts as an important part of a singular, subjective realm of experience (my own) as well as discussion of how this manifestation of creative expressiveness comprises a significant component in a larger, inter- and intra-cultural dialogue.

Welcome to Frank Martin’s Fine Arts web page, a site presenting examples of my personal inquiry into the character of art in its various forms and its relationship to the individual and social collective. Excerpts from articles, books, exhibition catalogues, pamphlets, and essays I have had occasion to publish, present, or offer before the public in some form of discourse will be collected on this site with information concerning the publications in which these materials may be found, or the original venues in which these ideas were initially presented.

In addition to the materials noted above, examples of my own forays into creative expression, and exploration of art as an avocation are offered. This site is a work in progress and its content and appearance will be, by intention, in constant transition. I hope that the visitors to this site will enjoy this effort to share the information presented.

Frank Martin










FRANK MARTIN
Juno’s Lament (The Allegory of the Peacock)
mixed media mosaic on board
71” x 22”
2001

This mixed-media mosaic work is an example of the synthesized cultural sources often appropriated for contemporary artistic praxis. In this instance, the reverse-painted plexi surface technique alludes to the tradition of reverse glass paintings indigenous to Senegal, West Africa. However, the imagery of the peacock used here is associated with both the classical Greco-Roman, Euro-centrist tradition and the traditional iconography of Christianity.

Sacred to the Roman goddess, Juno (Greek, Hera), the peacock is reputed to have acquired the intricate pattern of the male’s plumage through the tragic death of the goddess’s favorite, the guardian, Argos. The peacock is also associated with the concept of the Resurrection of the Christ and eternal life, since its flesh was thought to be impervious to the effects of physical deterioration according to the prevailing ideas of European culture dating from the period of the Middle Ages, and continuing through the Renaissance. The title of the mosaic is based on the legend that the goddess Juno transformed the appearance of the peacock as a memorial tribute to Argos, whose life was sacrificed following Juno’s command to indulge in espionage on her behalf.


Image Credits
Copyright © 2007 Frank Martin Fine Arts. All rights reserved.