FRANK MARTIN
Juno’s Lament (The Allegory of the Peacock)
mixed media mosaic on board
71” x 22”
2001
This mixed-media mosaic work is an example of the synthesized cultural sources
often appropriated for contemporary artistic praxis. In this instance, the
reverse-painted plexi surface technique alludes to the tradition of reverse
glass paintings indigenous to Senegal, West Africa. However, the imagery of the
peacock used here is associated with both the classical Greco-Roman,
Euro-centrist tradition and the traditional iconography of Christianity.
Sacred to the Roman goddess, Juno (Greek, Hera), the peacock is reputed to have
acquired the intricate pattern of the male’s plumage through the tragic death of
the goddess’s favorite, the guardian, Argos. The peacock is also associated with
the concept of the Resurrection of the Christ and eternal life, since its flesh
was thought to be impervious to the effects of physical deterioration according
to the prevailing ideas of European culture dating from the period of the Middle
Ages, and continuing through the Renaissance. The title of the mosaic is based
on the legend that the goddess Juno transformed the appearance of the peacock as
a memorial tribute to Argos, whose life was sacrificed following Juno’s command
to indulge in espionage on her behalf.
